My Girlfriend, The Herald

With its dramatic cover paying homage to the image of the giant hand of Galactus from the 1978 The Silver Surfergraphic novel, Fantastic Four #244 gives us the sense that the ending to John Byrne's own "Galactus trilogy" will be a memorable one. Part One of the story showed Terrax, the disgruntled herald of Galactus who had tired of his servitude, coming to Earth to conscript the FF into fighting his master, while he held the entire island of Manhattan hostage in Earth orbit. In Part Two, Galactus brutally dealt with his herald, and then turned his attention to Earth, where he prepared to consume the planet's life energy as Earth's heroes joined forces and fought a desperate battle against him.

Now, the battle is over--and Galactus, already in a severely weakened state from having gone so long without feeding, lies helpless and dying. Compared to the events of the past two issues, however, the conclusion to this story might seem sedate by comparison. But it's nevertheless an interesting aspect of the story to explore: What to do with Galactus?

Yet, Byrne doesn't immediately pick things up where Part Two left off; instead, he chooses to open the story by jumping ahead to nearly a week later, when everyone is presumably picking up the pieces from the story's resolution. And, in the apartment of Julie D'Angelo--roommate to Johnny Storm's girlfriend, Frankie Raye--we're given the impression that, despite the condition in which we last saw Galactus, things might have ended disastrously for those who opposed him:



It's here that Byrne begins to pivot back to this story's wrap-up, while bringing our focus to Frankie--a character who played little to no part in the battles of the past two issues, but who now appears to be headed toward a crucial role, if we're to believe Reed:



And Frankie's "fate," as Reed puts it, begins and ends with that of Galactus in Part Three, appropriately titled:




At the end of Part Two, of course, Reed made a startling declaration, one which the other combatants in this struggle are understandably divided on:



And yet, not as divided as they could be. Certainly not as divided as we saw in the situation with the Molecule Man that Iron Man refers to. In fact, everyone seems to quickly (in just a panel!) put the debate aside with almost shocking unanimity--even Iron Man, who merely considers himself "outvoted" on the matter. In hindsight, we could attribute it to Byrne planning to devote an entire upcoming issue to the decision to spare the life of Galactus--as well as, that being the case, not wanting to cloud the events of the rest of the story with a discussion which would be better served by taking place amongst actual victims of Galactus.

So the issue becomes not whether to save Galactus, but how. And since that essentially boils down to stabilizing his "vital signs," Reed hits up (of all people) Iron Man for some equipment from Tony Stark and sets to work as quickly as possible. And finally, the time comes to make the attempt:




Yet the "operation" isn't without its complications, since this machine is the equivalent of giving small amounts of food (in the form of revitalized energy) to a starving man. And putting the power of a god at the other end of the straw probably could have used a bit more forethought:




Reed then conducts a somewhat bandaged Galactus back to FF headquarters, where he compiles a "shortlist" of acceptable planets which will suit the titan's needs. Unfortunately, Reed can offer no guarantees (frankly, I'm amazed he can scan for habitable planets at all, though of course Earth technology has always been far less advanced than "Reed technology"), which means that Galactus and the FF are back to square one:






It's the one part of Byrne's story which doesn't seem to mesh, either with this particular tale or with Frankie herself as we've come to know her. Johnny, of course, is beside himself at her decision--yet Frankie seems to have no regard for his feelings whatsoever, all but "Galactus-blocking" him. We know that Byrne is following up on Frankie's odd (and baseless) wistful musings on Galactus from the prior issue; but otherwise, we get no satisfactory justification for this about-face on her part. To make matters worse, she also now exhibits an alarming lack of conscience:



Galactus, however, sees what could be a very good fit, given his needs as well as the necessity that he be indiscriminate in terms of the planets he chooses:



And so, with Johnny screaming his objections in the background, the process of creating a new herald of Galactus begins.



Johnny, unsurprisingly, isn't ready to let this go--isn't ready to let Frankie go. But it's much too late for him to salvage the situation, and it's clear that Frankie's interests lie elsewhere--where Johnny cannot follow.




We've come full circle as far as Johnny's state of mind at the beginning of the story; and, in a way, we've reached such a point with Galactus, as well, since he leaves this second trilogy in a less impassive state of mind than he did after that first encounter on Earth.




However, just as in that original tale, Byrne spends the rest of this issue with various scenes which pave the way for future plots. In all honesty, I was hoping that Byrne would make another choice, rather than stay true to the structure of "The Startling Saga of the Silver Surfer!" The mixture of the end of an epic life-or-death situation with, immediately afterward, a business-as-usual continuation of the lives of the FF seems to feel as awkward here as it did in FF #50. In both issues, the impact of the climax of the incredible story we'd just read is sapped by the new events we're now presented with and must focus on. How about, instead, an ending like the one we received in another epic FF story, which also didn't happen to end well for Johnny:



I closed the last page of that issue thinking, "Wow--well done.""Nice ending." But in Byrne's story, we even had a brand-new herald of Galactus added into Marvel canon--and still the issue was able to leave its readers with nothing that resonated for the next thirty days until the next copy of Fantastic Four would hit the racks.  Many if not all of this book's faithful readers probably would have been glad to wait until then for any new plots coming down the pipe--particularly if it meant that the story they'd been diligently following and enjoying for the past two months had, this time, been given the finish line it deserved.

Fantastic Four #244 Script, Pencils and Inks: John Byrne Letterer: Jim Novak