Having spent nine years (!) writing the continuous adventures of Thor in
Journey Into Mystery,
Mighty Thor, fifteen issues of
The Avengers, and numerous guest appearances, Stan Lee would relinquish the reins on Thor's solo series by recycling
a previous plot of Loki getting his hands on the Odin-ring (you'd think Odin would learn to avoid leaving his you-can-rule-Asgard-with-this-ring jewelry just lying around) into
a new story that would be wrapped up by Gerry Conway. Yet just before reaching that point, at the beginning of 1971, Lee and artist John Buscema would turn in some noteworthy work on a five-part epic that featured a well-conceived plot that appeared to have everything a
Thor reader could ask: a looming and ominous threat to the entire universe... a seemingly hopeless cause... the Goddess of Death... a mysterious new character... the approaching doom of Ragnarok... a siege on Asgard from Loki... a surprising twist on the story's main villain... and the end of life on planet Earth--all for the bargain price of 15¢ a copy, which worked out to 75¢ for the entire story. Think of what you're paying today for a single issue, and the budding Bronze Age of comics publishing looked pretty good, eh?
As for the nature of this threat--Thor, summoned back to Asgard, receives the grim news from Odin himself of the danger which the realm now suddenly faces. Harbingers of doom which appear to emanate from an indistinct... region? place? planet? ... known as
the World Beyond.
(You may have noticed that Thor doesn't look so "unarmed" here. What's Mr. Caption up to?)
Continued »»»
